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"Sh-h-h! Sh-h-h!" replied the girl in a whisper, looking about her very much frightened, for her bull husband was sleeping close by. "Do not speak so loud. Go back and tell him to wait." "You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!" "Lucky he," says Nolly, fervently, "to know there is somebody who longs for his return when he is abroad; to feel that there are eyes that will mark his coming, and look brighter when he comes, and all that sort of thing. Nobody ever cares about my coming," says Mr. Darling, with deep regret, "except to lament it.".
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"But you have no piano?" She excuses her unwonted drowsiness with a little laugh, natural and friendly, and begs them "not to betray her." Clothed in all this sweetness she drops a word or two meant to crush Mona; but that hapless young woman hears her not, being bent on explaining to Mrs. Carson that, as a rule, the Irish peasantry do not go about dressed only in glass beads, like the gay and festive Zulus, and that petticoats and breeches are not utterly unknown. This is half a question; and Geoffrey, answering it from his heart, sinks even deeper into the mire. "Why not? You will go there, perhaps when you are married.".
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